Public lectures as part of the 54th Basel Renaissance Colloquium
The 54th Basel Renaissance Colloquium aims to inquire into the nature and scope of Renaissance clandestinities with particular respect to their potential dynamics of (re)presentation: was there a specific “Renaissance secrecy” and how does it relate to (at least equally widespread) contemporary penchants for ostentation and display?
Referierende:
Dr. Ioanna Iordanou (Oxford Brookes University): Republic of Secrets: The Bureaucratization of State Secrecy in Late Renaissance Venice
Nancy K. Turner (J. Paul Getty Museum, Los Angeles): Joris Hoefnagel Occultus: Technical Secrets, Between the Hidden and the Manifest
Dr. Jasmine Kilburn-Toppin (Cardiff University): Secrecy, Experiment, and Workshop Practices at the Early Modern Tower Mint
In the Renaissance some forms of knowledge were best kept secret. From the artisanal workshop, through trade networks, to the dense social fabric of cities and the politically charged ambience of courts, the sharing of knowledge was always shadowed by practices of concealment, obfuscation, and silence.
Within the artist’s workshop and the craft community, as in other family businesses and trading networks, the keeping and sharing of secrets could be both a point of social-familial cohesion and a jealously guarded competitive advantage in the marketplace. In religious life, secrecy also had its place: the seal of confession, the “secret” prayer of the priest at the altar, the secret interior forum of the conscience. Among political elites, regimes of magnificence went hand in glove with forms and practices of secrecy; privy councils, secret negotiations, clandestine diplomacy and espionage. Throughout Renaissance polities, secrets — or the imputation of secrets — also spurred rumor, antagonism, and accusation.
We thus seek to discuss not only the kinds of knowledge deemed worthy of secrecy, but also the cultural techniques developed to preserve secrets, the values — both positive and negative — assigned to secret knowledge, and the challenges that Renaissance secrecy poses to historical study.
The colloquium will allow for individual presentations of about 30 minutes in length, followed by questions and a final roundtable discussion.
Online participation and registration
The presentations and discussions can also be followed via livestream; active participation is not possible in this format. Please register for your attendance (both physical and livestream) using the registration form.
Veranstalter:
Departments of History and Art History
Der Kalender der Universität Basel listet Veranstaltungen auf, die von der Universität Basel, ihren zahlreichen Einheiten sowie von akkreditierten studentischen Organisationen und assoziierten Institutionen angeboten werden. Sie sprechen ein grösseres Publikum an, sind öffentlich und für alle zugänglich. In der Regel ist der Eintritt frei.
Sie können Ihren Anlass ebenfalls im Veranstaltungskalender eintragen lassen, sofern er die oben genannten Kriterien erfüllt. Senden Sie dazu Titel, Kurztext, Zeit, Ort, Veranstalter, Link auf Webseite und falls vorhanden Foto (JPG) und Programmflyer (PDF) an E-Mail: agenda@unibas.ch
Diese Website verwendet Cookies, um Nutzungsdaten zu erheben und die Funktionalität zu verbessern. Durch die weitere Nutzung der Website stimmen Sie dem zu. Als Suchmaschine setzen wir Google Search ein. Weitere Informationen finden Sie in unserer Datenschutzerklärung.